Much of the album is forgettable, and many of the songs blend into each other (and not in a good way). Lead single “positions” fits in better in the context of the album, but it also fades into the mush of three minute, vaguely pop, RNB tracks with trap beats that populate the album. The collaborations range from exciting (“motive” with Doja Cat) to forgettable (“safety net” with Ty Dolla $ign) to completely skippable (“off the table” with The Weeknd). She emulates much of the rap-vocals and trap style that she first experimented with on “thank u, next” and doesn’t change much of it, making some of the tracks (“six thirty” and “just like magic”) sound like knock-off “thank u, next” songs. Grande seems to have found herself in a box that she can’t break out of– the “filler track curse.” More than half of the songs are under three minutes long and have similar beats, which makes them fall into the background. In less than a month, it feels like it’s aged by six months.This might be because of how similar many of the tracks sound. However, after a few days, the newness of the album as a whole faded completely. Upon the first listen through “Positions,” I immediately picked out my favorite elements, which included the blending of Ariana Grande’s sweet vocals and Doja Cat’s raspy voice in “motive” the whistle notes in “my hair,”and “nasty,” and the funky strings on “love language.” Nine out of the fourteen tracks are marked explicit, and some of them get dirty far dirtier than the pop singer ever has. It showed a more mature side to Grande that “thank u, next” only hinted at. Ariana Grande has a great ability to change up her style between albums, and I was incredibly excited to listen to her sixth and most anticipated album yet. It broke streaming and charting records, and spawned three hit singles (“thank u, next,” “7 rings,” and “break up with your girlfriend, because i’m bored”).įans have been waiting excitedly for the follow up to the smash hit album. “thank u, next” was the fifth studio album from Ariana Grande.